Chapter 141 Living Gallery

Seeing the barrage sent by Annan, Yummy Feng Goose was stunned for a moment.

Then he quickly reacted——

Yes, it is indeed necessary.

"This friend is very smart, not bound by conventional thinking. Half my wit."

The old goose praised casually: "I didn't read the letter just now, and I subconsciously thought it was the same as the previous child's god. But it's a new environment now, and I really need to confirm it again..."

Saying that, he opened the envelope.

Inside the envelope were still fragments of Elle's diary.

When preparing the back plate as usual, the delicious wind goose realized it.

The mention in this diary that "Amos's painting hangs on the wall and looks like a corpse outside the window" is actually a psychological suggestion.

After the homeless child read the letter, and then looked back at the corpses in the hall, he realized that "it was the painting that became the corpse". It is precisely because of the foreshadowing of this letter that the sense of fear will become more profound because of "anticipation" - or, to be able to react at the first time.

This is a technique used in many horror games and horror movies.

The producer will mix some fragmented information with the main information and give it to the audience, and use curiosity and fear to mobilize the user's attention.

For example, "suddenly seeing bloodstains" will make the audience nervous; "seeing people with their backs or their heads bowed" will subconsciously want to know the front; seeing "a group of people gathered around" will want to know the inside What is it; after finding a "closed cupboard" and entering a "closed space", you want to know what's inside.

This principle has a simple application.

In the early years, some scary old pictures were popular on the Internet. Roughly speaking, it is similar to the kind of very long suspension bridge, but when you pull it to the end, you will suddenly see a grimace.

This is because when flipping down, people's subconscious curiosity is mobilized. Therefore, people can realize the horror at the moment of seeing the grimace, instead of being stunned to react - there is no doubt that the latter will greatly dilute the sense of fear.

The same goes for turning back and killing after reaching the end, and opening the door to kill when entering a new, unfamiliar space. It is precisely because the sense of curiosity is fully mobilized that people can be exposed to those terrifying things in a state of the strongest learning ability and the most sensitive to things.

Only those who read this letter can clearly realize the fear of the painting turning into a corpse; and when the shadow changes, the first time "someone outside the window" appears in their minds, instead of thinking that it is their eyesight Or read it wrong.

Then comes the problem.

This letter is on the fourth floor and is supposedly useless.

It might be the key to take the diary in the cupboard...just as the knife is the key to the tomato on the second floor.

If the tomato represents food and blood, the knife represents cutting and death. Then the diary and the fragments of the diary must also indicate something...

- No, not only that.

What if you get the knife in the second floor, but don't enter the nightmare of the second floor... but go directly to the third floor?

When on the third floor, there is a weapon in hand. Then maybe it won't be so disadvantageous to Brother Sledgehammer.

If you're lucky, you might be able to repel him once...

The delicious wind goose's brain is spinning rapidly,

He murmured in his mouth:

"Yes... yes...

"If you get the clothes on the first floor and the knife on the second floor. Then you can put the knife in the clothes. If you don't hesitate after taking the diary just now and go straight forward, you can let Brother Sledgehammer directly appear behind him.

"—At this time, the distance between him and Amos can be completely injured by a knife!"

The delicious wind goose suddenly became bright.

Annan also realized what he meant——

"...So that's the case, I totally understand."

Annan murmured in a low voice: "The reason why there are no nightmares on the first floor is because there is nothing in the display cabinets on the first floor.

"There is a piece of clothing on the coat rack, which implies that there is a way beyond the nightmare. That is, the existence of the negative layer.

"The display case on the second floor is a tomato, and the key is a knife. And when the tomato is cut with a knife, there will be a lot of blood... This suggests that the homeless people were lured by the food. Maybe their fate ... It's just being squeezed into juice. The tongue in the tomato may be referring to Amos's tongue-tied behavior and deliberately tricking them into being fooled.

"So... those dark shadows under the chandelier may be those homeless people."

Annan thought of the blood and black mud everywhere in the basement during the live broadcast of Yiyi.

That is definitely not the weight of one person or two.

But if all the homeless people tricked by him were killed and then thrown into the basement to bleed...the amount would be about the same.

Annan tapped his thigh lightly with his fingers, and the light in his eyes became brighter and brighter:

"The key word on the third floor is the diary and the fragments of the diary. The diary undoubtedly implies the key information point of the 'study' that Alley pointed out in the diary, and the fragments allude to the ritual of the 'Bone Lord'. The act of tearing off a page in the diary... undoubtedly heralds the end of Ellie's 'eyes' and 'hair' being taken away after the ceremony."

The core mechanism of this dungeon is nothing else...

It's that showcase!

What is in the display cabinet, what is the keyword that represents the nightmare of this floor!

And what should have been in the display cabinet?

painting! !

Think again, the hallucination that Jiu'er fell into in the second floor...

So those small copies will show up as "Gallery: XXX"?

Because they are actually in the hallucination created by Amos' work...

— No, not right.

Players play the role of Amos.

So this should be Amos entering a hallucination he created...

Annan suddenly realized that he, the players and the priests of Silver Jue had overlooked a key point.

They seem to have subconsciously... linked the horror elements that can be seen everywhere in the copy of the gallery with the sledgehammer who was chasing Amos.

But if...

Those terrifying traps, aren't they the same as Brother Sledgehammer?

What if this endless gallery of galleries...is actually an escape method set up by Amos himself?

It's not impossible.

On the second floor, Jiu'er had already shown Annan. Amos can control the space in this building at will... He can easily create complex, twisted and messy architectural structures.

It's just that the other person's location cannot be confirmed.

Then, Annan suddenly had an idea in his mind.

Brother Sledgehammer disappeared suddenly after chasing on the second floor... When he was chasing and killing on the third floor, he couldn't chase into the gate.

That's probably because of this complex, terrifying gallery.

In fact, it is helping Amos escape!

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